Autobiografie umoristiche d’attore: Ettore Petrolini
Keywords:
Attore, autobiografia, teatro di VarietàAbstract
Ettore Petrolini’s autobiographical writings are invaluable material for examining how an unprecedented way of narrating the interweaving of tradition and modernity, orality and writing, the collapse of the subject, the deconstruction of linguistic canons, and polyphonic narrative construction took shape in the selfrepresentation of one of the greatest early-20th century actors in Europe. Through analysis of Abbasso Petrolini ! (1922) and Modestia a parte… (1931), this essay focuses on some core aspects of the actor's autobiographical writings : relationship with the popular culture of origin and its characteristics; marked intertextuality (also through recontextualised self-quotes and quotes from other texts) ; explicit and implicit polyphony ; and the poetics of parodic rewriting, metalinguistic deformation of types of language, and the ‘idiozia sublime’ (‘sublime idiocy’).